it is more likely that adobe changed something that broke this workflow with XAVC-S files. The sony has other formats such as regular mp4? do those files do the same? i would agree with you that the empty Reel in the xml isn't the problem. The second way is to start with a blank project in resolve, set the project frame rate and such to match the premiere project settings, add the video clips to resolves media pool, then import the xml and uncheck "Automatically import source clips into the media pool" and "Automatically set project settings" in the XML import dialog box. There are two ways to have resolve import media, have you tried both?įirst is by importing the xml and let it bring in the media using "Automatically import source clips into the media pool". So - what is wrong with XAVC-S originating from the Sony A7S? Why won't it XML properly? It worked just fine with CS6, also with CC - but the workflow failed after the CC 2014 version. The only workaround was to use the Project Manager to archive and transcode the project media into something else, open it, then create a new XML from the new project and then into Resolve. I have tried different project settings in Resolve, but to luck. Force conforming the clips also does not work, because the IN/OUTs do not match my timeline. An XML that has QTs from Alexa has reel numbers, although I don't think this is the issue. I inspected the XML and it seems that no REEL information is provided in the XML. Resolve cannot locate any media used in the timeline and says "timecode extents do not match". Recenty, I have not been able to get any sequences into Resolve that have A7S media. It has worked before and is still working just fine with just about any media - Alexa, RED, etc. I have no tricky workflows - I merely edit the XAVC-S natively on PP, then clean up the track and FCP XML it to Resolve. Since upgrading to CC 2014 I have had a lot of trouble getting Sony A7S media to grade in Resolve.
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